The past few days have been utterly packed. First there was the run-up to our performance, right down to the insane tweaking that occurs seconds before the audience enter. The following morning I trundled my way to Kings Cross St Pancras where I joined my fellow students and tutors for a whirlwind weekend in Paris.
But first, I must address the performance. Now, I'm not usually one to get excited about actually taking part in a show. Make stuff for it yes, be in it, NO. Well that was my first reaction, but this project managed to work its way into my heart, not to mention the fabulous group I worked with.

I'm afraid I don't have as many photos just yet as i'd like, but here are a couple of peeks into our piece and some of those of the rest of my class. I also want to say thank you to my Laurel of the fabulous blog A RoRo in London, who came in that afternoon and selflessly posed as an usher for us. Thank you x


This long corridor immediately caught our eye, and we decided to place each one of Bluebeard's past wives in front of one of the slim windows, each filled with relics he'd collected from each wife and enshrined. Each woman is tied at the throat by a continuous maroon ribbon that loops from their throats to the ceiling, before tangling in pools between them.

Another group's Rapunzel sits in her tower, streaky mascara and glazed gaze revealing her misery.
Perhaps she is not even aware of her glass prison within a prison? Eerie and beautiful in the way only a fairy tale can capture.
Perhaps she is not even aware of her glass prison within a prison? Eerie and beautiful in the way only a fairy tale can capture.



I shall post some more details and some of my discoveries from my janut to La Jolie Paris!
No comments:
Post a Comment